“It was not at all unusual in theoretical physics to spend a lot of time on a speculative notion that turns out to be wrong. I do it all the time. Having a lot of crazy ideas is the secret to my success. Some of them turned out to be right!”
—Interactions by Sheldon Glashow, pg. 114
Friday, April 29, 2016
Monday, April 4, 2016
Terror, full agony of
I
was alarmed by so formidable a social occasion, but less alarmed than I
had been a few months earlier when I was left tête-à-tête with Mr.
Gladstone. ... As I was the only male in the household, he and I were
left alone together at the dinner table after the ladies retired. He
made only one remark: “This is a very good port they have given me, but
why have they given me it in a claret glass?” I did not know the answer
and wished the earth would swallow me up. Since then I have never again
felt the full agony of terror.
— Autobiography, Vol. 1 by Bertrand Russell
— Autobiography, Vol. 1 by Bertrand Russell
Monday, March 28, 2016
Sunday, March 27, 2016
An alternative to raking leaves...
“We have sometimes wondered where the idea came from to powder the leaves with snake essence, but after some fruitless speculation we have eventually concluded that the origin of customs, especially when they are useful and successful, is lost in the mists of time. One fine day the city must have realized that its population was inadequate for the collection of each year's leaf fall and that only the intelligent utilization of the mongooses, which abound in the country, could overcome this deficiency. Some functionary from the town bordering the forests must have noticed that the mongooses, completely indifferent to dead leaves, would become ravenous for them if they smelled of snake. It must have taken a long time to reach this conclusion, to study the reaction of the mongooses to the dead leaves, to powder the leaves so that the mongooses would go after them with a vengeance.”
—“Around the Day in Eighty Worlds” by Julio Cortázar, pg. 77
—“Around the Day in Eighty Worlds” by Julio Cortázar, pg. 77
Thursday, March 24, 2016
Cortázar does Fluxus...
“THE SIMPLEST WAY TO DESTROY A CITY
Hidden in the grass, wait for a large cumulus cloud to drift over the hated city. Then shoot a petrifying arrow; the cloud will turn to stone and the consequences go without saying.”
— “Around the Day in Eighty Worlds” by Julio Cortázar, pg. 7
Hidden in the grass, wait for a large cumulus cloud to drift over the hated city. Then shoot a petrifying arrow; the cloud will turn to stone and the consequences go without saying.”
— “Around the Day in Eighty Worlds” by Julio Cortázar, pg. 7
Sunday, March 20, 2016
Why paintings are different...
“And then why La Tour, who painted the same painting twice, had him hiding an Ace of Diamonds in the Louvre, and an Ace of Clubs in the Kimbell Museum. That's correct, isn't it Pierre? I'm not mistaken?”
I joined in his game. One always had to sniff out the humour in my uncle's words.
“But, Uncle Charles, it's so that the museum curators can tell which is which.”
—Philippe Beaussant, “Rendezvous In Venice,” pg. 64
I joined in his game. One always had to sniff out the humour in my uncle's words.
“But, Uncle Charles, it's so that the museum curators can tell which is which.”
—Philippe Beaussant, “Rendezvous In Venice,” pg. 64
Thursday, March 17, 2016
Butt of the joke...
“And on the loftiest throne in the world we are still sitting only on our own rump."
—Michel Montaigne, quoted in Sarah Bakewell's “How to Live,” pg. 148
—Michel Montaigne, quoted in Sarah Bakewell's “How to Live,” pg. 148
Monday, March 7, 2016
Sad woman...
“She tries harder, this twenty-eight-year-old woman, to remember what it is to be happy, and with alarm she realizes she no longer knows, that it's like a foreign language she learned in childhood but has now forgotten, remembering only that she knew it once. When was the last time I was happy?”
—“The Post-Office Girl” by Stefan Zweig, pg. 19
—“The Post-Office Girl” by Stefan Zweig, pg. 19
Saturday, February 27, 2016
Not a people person...
“Normal human beings are a balm to me, and a torment at the same time.”
--Ludwig Wittgenstein, quoted in “Letters from Ludwig Wittgenstein,” letter 23 from 16.11.19, compiled by Paul Engelmann
“They are not human at all, but loathsome worms.”
--Ludwig Wittgenstein, writing of the people of the small town of Hassbach in same book, letter 48 from 14.9.22
--Ludwig Wittgenstein, quoted in “Letters from Ludwig Wittgenstein,” letter 23 from 16.11.19, compiled by Paul Engelmann
“They are not human at all, but loathsome worms.”
--Ludwig Wittgenstein, writing of the people of the small town of Hassbach in same book, letter 48 from 14.9.22
Thursday, February 11, 2016
You are what you read...
"This is not to say, however, that the significance of all his remarks was always transparently clear; perhaps the most gnomic was his comment on Peter Geach, Elizabeth Anscombe's husband. When Mrs Bevan asked Wittgenstein what Geach was like, he replied solemnly: 'He reads Somerset Maugham.'"
--Ray Monk, "Ludwig Wittgenstein: The Duty of Genius," pg. 577
--Ray Monk, "Ludwig Wittgenstein: The Duty of Genius," pg. 577
Thursday, February 4, 2016
Wittgenstein's fear
"The Oxford philosopher, John Mabbott, recalls that when he arrived in Nottingham to attend the conference he met at the student hostel a youngish man with a rucksack, shorts and open-neck shirt. Never having seen Wittgenstein before, he assumed that this was a student on vacation who did not know his hostel had been given over to those attending the conference. 'I'm afraid there is a gathering of philosophers going on in here', he said kindly. Wittgenstein replied darkly: 'I too.'"
-Ray Monk, "Ludwig Wittgenstein: The Duty of Genius," pg.275
-Ray Monk, "Ludwig Wittgenstein: The Duty of Genius," pg.275
Taunting Wittgenstein
"They [fellow grade school students] ridiculed him by chanting an alliterative jingle that made play of his unhappiness and of the distance between him and the rest of the school: 'Wittgenstein wandelt wehmütig widriger Winde wegen Wienwärts.' ('Wittgenstein wends his woeful windy way towards Vienna'). In his efforts to make friends, he felt, he later said, 'betrayed and sold' by his schoolmates."
-Ray Monk, "Ludwig Wittgenstein: The Duty of Genius," pg. 16
-Ray Monk, "Ludwig Wittgenstein: The Duty of Genius," pg. 16
Monday, January 4, 2016
Cosmic visceral humming vs. world of bees...
"Later that night with Rosalie asleep from despair, he presumed, he went back into the tiny kitchen more windowless than ever and plastered his ear to the wall. No distinct sound, only a cosmic visceral humming, greater, far greater than the ploy of mere neighbors, as if the world were bees and nothing but. Overhead there was a brief, almost apologetic, scraping of what sounded like chair against tiled floor. He shrugged this away as beneath the contempt of his vigilance. Beyond this scraping there was no message, as from a beyond, on how to go about proving the yet-to-be fabled potency of his vocation was more than a hyposecretion of sebaceous glands. Of course the scraping of chair could mean: You have to think of more than yourself, there’s Rosalie and the child in her belly. But the scraping could also mean: Don’t bother demeaning yourself through exertion."
-Michael Brodsky, XMAN, pg 131
Thursday, December 31, 2015
In praise of boy art...
"Only with Michelangelo Merisi, known as Caravaggio, was there a sudden flood of fully-realized sexual--especially homoerotic--art. Not since antiquity had "boy art" been realized with such assurance."
-Colin Eisler, "O Caravaggio" chapter in "Masterworks in Berlin: a City's Painting Reunited"
-Colin Eisler, "O Caravaggio" chapter in "Masterworks in Berlin: a City's Painting Reunited"
Wednesday, December 30, 2015
The importance of cleaning book shelves...
"I entered one of the narrow aisles. For a while I proceeded in darkness, which was illuminated here and there by the glow of putrefying books. I switched on my torch and let the beam wander over the bookshelves. In the damp air the pages of the books curled, swelled, frayed and turned to pulp, expanding and forcing the bindings outwards, tearing them and squeezing out through the holes. Covers were falling apart and leaves prolapsed from them, lolling out of the books like tired tongues, falling on the ground and mixing with leaves from other books, putrefying and forming a soaring pile of oozing, phosphorescent, malodorous compost, through which I had to force my way waist-deep at times. The wooden shelves on which the books stood cracked and twisted. In the putrefying insides of the books, in dark crannies between the leaves, seeds of plants became fixed and sprouted in the damp darkness, sinking their roots into the paper... What was most nauseating in these stuffy and fetid surroundings was not the realization that a strange accidental calamity was occurring with rampant nature devouring the fruits of the human spirit; what gave rise to increasing anxiety was rather the fact that the dreamlike transformation of books into dangerous and unemotional vegetation laid bare the malignant disease secretly festering in every book and every sign created by humans."
-Michal Ajvaz, "The Other City"
-Michal Ajvaz, "The Other City"
Ladies and gentlemen, this is magical realism:
"That was during the time the Greek ship arrived," she said. "It was a
crew of madmem who made the women happy and didn't pay them with money
but with sponges, living sponges that later on walked about the houses
moaning like patients in a hospital and making the children cry so that
they could drink the tears."
-Gabriel García Márquez, "The Incredible and Sad Tale of Innocent Erendira and Her Heartless Grandmother"
-Gabriel García Márquez, "The Incredible and Sad Tale of Innocent Erendira and Her Heartless Grandmother"
What happens at Sizzler stays at Sizzler...
“It is within my financial power to buy that place [Weight Watchers
across the street], and to fill it with steaks, fill it with red steak,
all of which I would and will eat. The door would under this scenario be
jammed with a gnawed bone; not a single little smug psalm-singing
baggy-skinned apostate from the cause of adiposity would be able to
enter. They would pound on the door, pound. But the bone would hold.
They’d lack the bulk to burst through. Their mouths and eyes would be
wide as they pressed against the glass. I would demolish, physically
crush the huge scale at the end of the brightly lit nave at the back of
the place under a weight of food, The springs would jut out. Jut. What a
delicious series of thoughts. May I see a wine list?”
-man trying to order 9 steaks in "The Broom of the System" by David Foster Wallace
-man trying to order 9 steaks in "The Broom of the System" by David Foster Wallace
goodbye to all that...
"Case endings will gradually free themselves from their demeaning
position and shine once more in their ancient glory. Bit by bit they
will separate themselves from the roots of nouns and become what they
were at the beginning -- the invocation of demons. The roots of nouns
will loose their significance and be pronounced more and more quietly,
until they will eventually become extinct. All that will remain in
language are the former endings and people will realize that all the
rest is actually superfluous. All that will be heard in the quiet of the
halls is the rustling of curtains in the draft and the dreadful names
of demons that we now call declension endings."
-"The Other City" by Michal Ajvaz
-"The Other City" by Michal Ajvaz
a tyranny of reason?
"The trouble with coercion through reason, however, is that only the few
are subject to it, so that the problem arises of how to assure that the
many, the people who in their very multitude compose the body politic,
can be submitted to the same truth. Here, to be sure, other means of
coercion must be found, and here again coercion through violence must be
avoided if political life as the Greeks understood it is not to be
destroyed. This is the central predicament of Plato's political
philosophy and has remained a predicament of all attempts to establish a
tyranny of reason."
-Hannah Arendt, "What Is Authority?", 1958ish, collected in "Between Past and Future"
-Hannah Arendt, "What Is Authority?", 1958ish, collected in "Between Past and Future"
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